Affiliate disclosure: This post contains affiliate links. If you make a purchase through any of the links on this page, I will receive a small commission at no additional cost to you. All the statements contained in this post are my honest opinions of the product, the Creative Home Projects Bundle 2020.
Between sewing machine troubles and children keeping me busy, I haven’t had much time for crafting lately. Even when I do have a few spare moments, my brain is so focused on everything else that I don’t know where to begin, which is unfortunate. Crafting is a great way to destress, and we all need ways to unplug and destress, now more than ever!
But that’s not all….Crafting and DIY projects give you the chance to learn new skills, do something with your hands, and beautify your home. With Christmas right around the corner, now is a great time to get started on unique handmade gifts as well.
Do you want to spend more time creating?
My friends at Ultimate Bundles have curated a brand new bundle to help.
It’s called the Creative Home Projects Bundle. It has resources inside to help you master beautiful hand lettering, create vinyl crafts with your favorite cutting machine, repaint your cabinets, furniture and walls, make one-of-a-kind jewelry, improve your sewing, refashioning ideas, upcycling and so much more!
When you buy the Creative Home Projects Bundle, you’ll get access to:
9 workbooks & printable packs
14 tutorials & templates
The creators behind all 64 resources are makers who are passionate about creativity, helping you make your life more beautiful, and teaching you new artistic pursuits!
And best of all, you can get the entire package for just $19.97.
What I’m Loving in the Bundle
I’m especially excited about the Easy Refashions for Every Season ebook by Elizabeth Farr and the printable Upcycled T-Shirt Romper and Dress Sewing Pattern by Heather Paulsen. There’s also the Fun & Easy Halloween Crafts by Stephanie Gilbert ebook. With COVID-19 concerns, Halloween will probably look different this year. Hopefully Gilbert’s book will give me ideas for activities to make it more fun for the kiddos.
The back pockets of denim jeans are prone to wearing out at the top corners with use. If that’s where you carry your phone or wallet, you’ll almost certainly develop holes at those stress points long before the rest of the jeans are worn out. Luckily, repairing a back pocket is a pretty simple fix.
These are my husband’s work jeans. You can see the inside corner of the right pocket has a small hole and another one is forming on the inside corner of the left pocket. These are the steps I used to repair and reinforce the pockets.
Choosing your patch material
The first thing you’ll want to do is add material to patch the hole. The material should extend past the edges of the hole, overlapping onto the good fabric by about a centimeter or so. I like to use the iron-on denim patches, but fusible webbing or strong interfacing works, too. This product is similar to the one I used. You can also just use a scrap of fabric a bit larger than the hole, but I prefer the added strength of an iron-on product. An iron-on product is also easier in that it won’t shift while you sew it in.
Securing the patch to the pocket
If you’re using an iron-on product, iron it on to cover the hole from the inside according to the manufacturer’s instructions. For sewn-in patches, baste in patch to keep it from shifting.
Reinforce the patch
Regardless of whether you chose an iron-on or sew-in patch, you need to reinforce the patch by sewing a strong row of stitches around the edges. For a less visible patch, I like to sew a square of stitching around the hole, making sure to include the corner of the pocket in the square. I sew over the square a few times to reinforce. Choosing a thread that matches the denim or is slightly darker makes the patch less noticeable.
For the actual hole, I like to sew back and forth over the hole in a matching thread. This secures the area to the patch, hides the frayed edges and prevents further ripping.
For a more visible patch, you can get creative with the patch material and choose a contrasting thread. You can also crazy stitch over the area, similar to what I did here.
Preventing the problem
Whenever I patch one pocket rip, I take the time to reinforce all the corners with iron-on patches and a square of reinforced stitching. It doesn’t take much extra time, and keeps the rest of the corners from needing repair in the near future. You could even do this to new jeans as a preventative measure if you have this problem frequently.
Here’s the finished patches. I’m pretty satisfied with the results. The work isn’t that noticeable and matches the variations in blue on the rest of the jeans. It’s definitely better than holes that will continue to rip in a revealing location.
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I’ve had two striped knit dresses in my refashion pile for about six months now. One black and white and one navy blue and white. The knit is soft, and I like the tie dye stripe, but the shape is basically a tube with a ruffle on the bottom. They are so unflattering, I don’t even want to wear them around the house. There’s a good amount of fabric in them, though, so I decided to try turn one of the knit tube dresses into a t-shirt.
Knit tube dress to T-Shirt Refashion T shirt Process
I wasn’t sure what I would do at first, but I knew whatever it was wouldn’t need the straps, so I cut them off. I briefly considered leaving it close to as-is at that point and turning it into a skirt. It still wouldn’t have been very flattering, and I really don’t need any more casual skirts, so I moved on to other ideas.
T-shirts are always something I need, so that was my next direction. I didn’t take any process photos, so I’ll do my best to describe it. Refashioning always requires a little improvising based on what you have to work with, so consider this more as a guide than a complete how-to.
Turn the dress into fabric
I find it’s easiest to see what I have to work with when I’m looking at deconstructed pieces of fabric. Unless I think I’m going to use an element intact, I cut or rip out all seams and remove elements like buttons so that I can see how much fabric I have to use.
For this project, I cut off the black cotton eyelet band at the top and cut off the ruffle from the bottom before cutting off the side seams. I left the ruffle intact by cutting just above the seam that connected it to the dress because I thought it might come in handy. I chose to cut, rather than rip the seams, because the seams were narrow, so I wasn’t losing much fabric.
The Base Pattern
I thought about using a t-shirt as a pattern, but that doesn’t always work out as well. In my pattern files, I have a copy of the breezy tee from it’s always autumn, so I used that. I didn’t have enough fabric to make it exactly like the pattern, but it was a good starting point.
Laying it out
I squared up the main pieces of fabric and cut out the pattern. The fabric was too short for the pattern’s length, so I just focused on fitting in the top portion. I had to shorten the sleeves slightly because there wasn’t enough width.
Constructing the T-shirt
I serged (overlocked) the neckline folded it over and hemmed. I will probably regret not doing a banded neckline, because I’ve had hemmed necklines get wonky with wear. I can change it later if needed, though.
I serged the shoulder seams and then started thinking about the sleeves. The original pattern has pieces to create wide bands on the sleeves. I didn’t have enough scraps from the sides to create those bands. Instead, I decided to use the eyelet from the top of the dress. Honestly, I really wanted to use some of the ruffle to make flutter sleeves, but I figured that would be needed to add length.
After attaching the eyelet, I serged the underarm and side seams, then straight stitched just inside the serged seam to reinforce.
The shirt was more of a crop top at that point, so I attached the ruffle to the bottom by serging and then straight stitching like I did on the side seams. Here’s the final result.
I like it, other than the eyelet on the sleeves. I’m not sure about that. It’s not tight, but it makes the sleeves snug. I’ll probably wear it a few times and decide if I just want to take it off altogether. Overall, though, it’s a cute t-shirt and definitely something more wearable than the original.
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If you search for refashioning ideas online, you’ll find tons of amazing examples of outdated styles being turned into trendy pieces that bear little resemblance to the original. (https://refashionista.net/ is one of my favorite refashion blogs to browse for inspiration.) It’s easy to get overwhelmed with ideas, especially if you’re new to sewing. The main goal of refashioning is to take a piece that is unflattering or unwearable and turning it into something that will be worn again. Sometimes a few simple tweaks are all that is needed to accomplish that goal.
This sundress is a perfect example. In it’s original form, it was breezy and comfortable for summer, except that it required a strapless bra to be flattering. Strapless bras tend to be uncomfortable in general. When it’s August in Texas hot, they’re almost unbearable. Having to wear one took away from the comfort of this dress, leaving it regulated to the back of my closet most of the time.
The refashion Fix
In order to fix the problem, I needed to add coverage and a little support to keep the cups in place.
First, I sewed elastic into the seams under the bust. I sewed it onto the seam allowance to keep my stitches invisible from the outside.
I cut the elastic a little shorter than the length of the seam and stretched it to gather it slightly. When worn, it doesn’t look gathered, but it keeps the cups in place.
For coverage, I took the cup inserts from a soft seamless bra and hand stitched them in place. I never use them in the bras, so I have several sets sitting around. By hand stitching, I was able to keep my stitches from showing on the right side of the fabric. Rather than sew all around the cups, I strategically tacked them to keep them secure but invisible from the front.
Those two simple tweaks only took about twenty minutes. The final result is a smoother, more flattering fit that doesn’t sacrifice comfort.
What simple refashions have you done that made a huge impact on wear-ability? I’d love to hear about them in the comments.
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We are all becoming more aware of the types of products we use everyday. Whether it’s a concern for the environmental impact, the effect they have on our health or the safety for our pets and children, we want to know we aren’t inadvertently introducing harmful things into our homes. Something I do to feel confident in the safety of cleaning products I use around my family is to make my own where possible. One such product is a simple all purpose cleaner I use for cleaning hard surfaces, such as kitchen and bathroom counters and walls. It only uses a few ingredients, all of which you probably already have on hand.
All Purpose Cleaner Recipe
Liquid soap, either dish soap or something like Dr. Bronner’s castile soap
Distilled white vinegar
Optional: Essential oil of your choice
Clean, empty spray bottle
Liquid measuring supplies if you aren’t comfortable just eyeballing it
Optional: A funnel might make it easier to fill the bottle.
How to make it:
Measure about 2 tablespoons of soap, one cup of vinegar and one cup of water into the spray bottle. It doesn’t have to be exact. I usually just eyeball it. If you would like to use an essential oil, add 3-5 drops as well. Do be aware of safety guidelines regarding any essential oils you use, especially around pregnant women, children and pets. Tea tree oil or lavender are nice for cleaning and generally safe for most people. If the soap you use is scented or if you or your family members are sensitive to scents, you may want to skip the essential oil.
Swirl the bottle to mix everything without making the soap foam up too much.
That’s it. Now you have an all purpose cleaner that works as well as any other I’ve tried, with the added benefit of being safe enough that kiddos can help with the cleaning.
If you like this cleaning recipe, you’ll also like my DIY soft scrub for tougher cleaning jobs. To make sure you don’t miss out on future posts, sign up for my newsletter.
In the past, I often featured handmade or vintage shops on Fridays. Over the years, the world of crafting and blogging has changed dramatically. I would love to resume Feature Fridays, but with a broader scope.
Handmade shop and websites are still welcome. I also want to feature guest writers sharing tutorials, tips, advice, recipes, etc. Categories that I feel are a good fit for this blog are crafting, sewing, sustainability, refashioning, healthy living, parenting, hair and beauty tips for busy moms, homeschooling and homesteading. I am open to other topics as well, so if you are interested but don’t quite fit into one of the above categories, please contact me anyway with your idea.
Guest posts will be promoted across my social media sites frequently throughout the week they are published and then periodically after.
Handmade shop/website features
For handmade shop/website features, answer the questions in the following list and email them to firstname.lastname@example.org. I will contact you before your shop is featured and if any clarification is needed. You can give as much or a little info for each section as you are comfortable with sharing. Be sure to include links to your shop, web page and blog, if you have them. If you sell your products in a brick and mortar store and would like to include that info, you may include that as well.
I also choose a favorite item from your shop on the week that you’re featured and briefly tell why I like it. The first image from your shop for both your favorite item and my favorite item will be included in the blog.
Name and Business Name
Tell us a little about yourself and your business.
What made you get started in your business?
Anything else you’d like to share?
Tell us about your favorite item listed in your shop.
Links to your shop, website, blog, etc.
Email address (This will NOT be published)
Guest posts, tutorials and everything else
Please contact me at email@example.com with your idea. If you already blog, a link to your blog or site where your writings are published is also helpful. Newbies are welcome, too. I’m also not opposed to reposts if they are a good fit and your own work.
If I think your idea is a good fit for SubEarthan Cottage, I will let you know and we will work out the details from there.
Making soap is like magic. Seriously, think about it: You take stuff that makes things feel greasy, mix it with stuff that would eat your face off and, if you do it just right, the end result is a wonderful bar of non-drying, skin-loving, fluffy-lathering soap.
Soapmaking is fun, but safety is a priority when dealing with sodium hydroxide, aka lye, aka the eat-your-face-off stuff. This is just a brief overview of the soapmaking process I use. Please do not use this as a complete how to guide. If that’s something you’re interested in, please, leave a comment and I will direct you to some more thorough resources on soapmaking.
Melting the Oils
Creating soap takes two basic things: oils or fats and an alkaline solution. In order to combine the oils and alkaline solution, the oils have to all be in liquid form and uniformly mixed. So, step one is measuring and melting the oils. For precision, all measuring is done by weight. Since I use a Crockpot for my hot process soapmaking, I add all my weighed oils to the Crockpot, then melt and mix them in the pot. For soapmaking, I generally use the low setting, but if I need to jump start the melting process I will start it on high then turn it down after a few minutes. This Crockpot is similar to the one I use.
Measuring the Lye
While the oils are warming in the Crockpot, I weigh the lye. It is important to be very precise when measuring the lye. Too little and the soap will be too soft. Too much and the soap could burn your skin. This is also why you need to be very careful about the soap recipes you use. If they are not correctly formulated, the end result could be dangerous.
Before I measure the lye, I measure the water or other liquid for the lye solution, also by weight. I do that first to limit the time I have the lye out.
I make sure to measure the lye into glassware and all containers and utensils that come into contact with lye or the lye solution are reserved solely for that purpose. Once the lye is out, I never leave it unattended. Lye crystals resemble table salt, which would be a potentially deadly mix-up. That’s also why my soap production has slowed since Thaddeus was born. Until they are old enough to understand the importance of staying out of the room and can be trusted out of sight but in earshot for the time it takes to get the soap cooking, I only make it when they are either out of the house or asleep with Chris there to tend to them if they wake up during the process.
Mixing the Lye Solution
Once my lye is measured, I add the lye to the water and stir with a wooden spoon until dissolved. Lye fizzes up when mixed, so it is important to have the liquid in a container with plenty of room. The solution with also get really hot and put off fumes, so be prepared. I like to have a window open or fans and the vent a hood running. Some soap makers mix the solution outside, but I like to stay close to my work space to limit the chance of spills.
Blending the Oils and Lye Solution
For cold process soapmaking, it is important to have the oils and lye solution at about the same temperature. With the Crockpot hot process method I use, I find I can mix the lye solution into the warmed, melted oils without having to measure the temperatures first.
When you first add the lye solution to the melted oils, the color will change from clear to opaque. In order to properly combine the lye and oils, I use a handheld stick blender. You can stir by hand, but it is much harder to get everything properly blended and it takes f-o-r-e-v-e-r. I have had a stick blender die in the middle of making a batch of soap and it is a crazy long arm workout. I do not recommend it.
Goal of Blending
The goal for all the hard mixing is called “trace”. Basically, I’m wanting to be able to lift my blender out of the mixture and trace a design on top. With cold process, there are various stages of trace that guide when to add any fragrance, essential oils or other add-ins. Since I use the hot process method, I add almost everything after the cook. Because of that, I can mix my batches to a full, hard trace where my traced design doesn’t melt back into the mix. This limits the possibility of a false trace, or the mix seeming to quickly come to trace when it isn’t thoroughly mixed. When that happens, it might separate or have lye heavy spots.
Once it is at a hard trace, I stop mixing and put the lid on the Crockpot. If the mix seems too hot, for example, I had a false trace that I had to stir through, I will either turn the Crockpot to warm or off for a few minutes. Otherwise, I make sure it is on low and busy myself with cleaning up, lining my soap molds, and preparing essential oils and other additives.
Any lingering lye solution or soap mixture on the blender is still a risk for lye burns, so I’m cautious with the cleanup. For the whole soapmaking process, I keep a good amount of water with vinegar and a bit of dish soap ready in the sink. The vinegar helps neutralize the lye, so anything that comes into contact with lye goes directly into the vinegar solution, and I use a similar vinegar solution to wipe down my soapmaking area, just in case.
Stages of Saponification
During the cooking, the soap mix will change from an opaque, milky color to a shiny, translucent gel like texture. A pool of liquid also forms on top. that pool of liquid is glycerin, a byproduct of the saponification process. This transformation starts at the edges of the pot and happens in a wave moving towards the center. I find it really fun to watch.
Finishing the Batch
When the entire soap mixture is translucent and the consistency of mashed potatoes without lumps, I turn off the heat and stir the soap by hand for just a couple of minutes to let it cool. At this point, if done correctly, the mixture completely transformed to soap. I don’t want it to cool too much, or it would be hard to add the essential oils, but too hot and it will burn off the scent.
I then add any essential oils blended in my chosen carrier oil and any other add-ins I’m using in that batch, stir thoroughly by hand, and plop it into my molds. Since it is thick, I generally have to tap my molds on my counter firmly to eliminate air pockets.
Curing the Final Product
Because the saponification process is completed during the cooking, the soap is totally safe to use as soon as it is cool enough to touch. It needs to cool in the molds for 12-24 hours or so to hold it’s shape, though. Once it is firm enough to cut, I cut and wrap the bars. While not necessary, hot process bars still benefit from curing for at least a week or two to allow excess moisture to evaporate. As I discussed in my Proper Care and Feeding of Your Bar Soap post, the firmer and drier a bar of soap is, the longer it will last. That’s one of the reasons I wrap my soap in cloth rather than plastic. Cloth allows the soap to continue to harden for a longer lasting bar.
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